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| Ultraviolence / Project x / The chaos engine / K-nitrate @ the Garage, London - April 1st, 2000 | ||||
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Reviewed by: K-nitrate have reformed and hit the UK gigging scene with fervour.
After 4 years without any sign of the band, ex-Cubanate man
Graham Raynor (programming and vox) has gathered Christian Weber
(drum pads, kicking the shit out of stuff) and Jo Theobald (guitars)
and made a fucking loud techno-industrial noise. The venue is
more than half empty, but still, K-nitrate are making the few
people that are there, and are too drunk to be self-conscious,
dance maniacally. Utilising ministry-style guitars, huge banging
beats, searing vocals and malfunctioning electronics, they sound
excellent-we await some new recorded material….By the time The
Chaos Engine take to the stage, the venue is filling up. As
usual Huw, Lee and Kelly rip stuff up-new album 'Obstinate'
sounds great live as does the older stuff, especially 'purge.'
The constant gigging has really tightened up the engine, making
them sound 'fatter', giving them an edge over other UK industrial
acts, check them out-and the new album. I feel the less said
about Project x the better. Sorry guys, but 80's cheesy-synth
industrial isn't my thing. They look good, but the deep-throated
vocals and 'plinky-plink' electronics just don't do it for me.
Still, the Goth's like it, so it can't be that bad!
Tonight ultimately belongs to Ultraviolence. For the uninitiated,
Ultraviolence make hardcore gabba music; super-fast, banging
beats combined with keyboards, female vocals and shouting (Ultraviolence
were recently in the press as one of the top ten most unlistenable
bands.) Trippy orchestral sounds play about, as a female voice
recites 'Team Ultraviolence racing, fucking fast, hardcore.'
Johnny Violent takes to the stage, the gabba beats begin to
piston and everything goes mental. His trademark female vocalist
sings and trades lines with him, there is live angle-grinding
courtesy of Leechwoman's drummer, Roc, sending sparks 8 feet
into the air, along with two gyrating cyberheads. The spectacle
is amazing, as is the music, the highlights being 'masochist,'
sounding excellent in its remixed form, with Johnny shouting
'I'm loving you/I'm coming' as the beats rage on. 'Hardcore
motherfucker' sounds equally good, as does 'adultery' and new
song 'sex.' The track 'E-heads must die' off his 'Shocker' LP
blasts out, making everyone sway to the sounds of a nervous
breakdown. Whilst this style of music will not appeal to metal
fans (virtually no guitars) or to fans of that ilk of music,
it is damn heavy, and extremely emotional-Mr Violent has some
serious problems… 'London do you want some more?' -he shouts-'fuck
off' comes the response from the crowd (it's what he asked for..)
as he plays his last track for the night. It seemed impossible,
but everything goes one notch higher, as he plays the track
'still' from the 'Killing God' LP. The track finishes, and it
seems like an almighty comedown from the best trip you ever
had. In a word…extreme. |
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